A Room of One’s Own

“For here again we come within range of that very interesting and obscure ┬ámasculine influence upon the woman’s movement; that deep-seated desire, not so much that she shall be inferior as that he shall be superior, which plants him wherever one looks, not only in front of the arts, but barring the way to politics too, even when the risk to himself seems infinitesimal and the suppliant humble and devoted.”

This concept of a woman’s inferiority solely so a man can be seen as superior is nothing new. The “influence on a woman’s movement” can also be interpreted as two different scenarios: one being her movement in station or class by her own means impeded by a man; or two, being the physical act of moving itself, in order to intimidate her. The real-world and highly relevant example that comes to mind when looking at this passage is the current presidential race between Donald Trump and Hilary Clinton; while she has broken many a “glass ceiling”, her opponent has still mocked and criticized her capability to lead on the sole fact that she is a woman. During the second debate he continued to move about the stage in a predatory manner, like a shark. The only saving grace, regardless of one’s views on Hilary Clinton, no one could label her a “suppliant”.

Commonplace and “Mind-read”

“…could Miss Kilman really mind it? Yes, Miss Kilman did mind it.”

Woolf, Virginia. Mrs. Dalloway. New York: Harcourt, Brace, 1925. Print. 127

The context of this sentence is the cake that Elizabeth wonders if Miss Kilman had wanted when it is taken from her. Elizabeth is astonished by Miss Kilman’s eating habits and wonders whether she is even hungry at all but simply taking and taking as so many have done to her in the past, leaving her with nothing. Elizabeth acts as the link between the worlds of Miss Kilman and that of her mother and company. Interestingly, Miss Kilman’s feelings toward the two women are the complete opposite. She detests Clarissa and is infatuated with her daughter; feelings that can never be expressed in either regard for fear of unemployment, rejection, or both. So Miss Kilman eats, not out of pleasure, or need, but to finally possess something that no one can take away, and fill herself with something other than feelings of inadequacy and intense emotions.