“Through the cement floor her strong roots sink down. They spread under the asphalt streets. Dreaming, the streets roll over on their bellies, and suck their glossy health from them. Her strong roots sink down and spread under the river and disappear in blood-lines that waver south…The eyes of the woman don’t belong to her. They look at him unpleasantly” (85).
Using personification to animate body parts, in turn (ironically?) dehumanizing the referent of this description, that is, this specific black woman Dan sees in the audience.
Toomer, Jean.”Box Seat.” Cane. New York: Liveright. 2011. 85. Print.